How to Prepare Walls Before Tiling a Bathroom
Sep 21,2018 - Sports
Choosing between porcelain and ceramic is one of the first decisions most UK homeowners face when tiling a floor, and it is easy to be swayed by a pretty sample in a showroom without thinking about how the tile will behave once it is fixed down. Both are clay-based, both are fired in a kiln, and both can look superb in a British home. The honest answer is that neither is universally better — the right one depends on the room, the traffic, your budget and what your tiler has in the van.
The difference comes down to the clay mix and the temperature of the kiln. Porcelain is made from a finer blend of kaolin, feldspar and quartz, fired at around 1,200–1,400°C. That produces a dense, almost glassy biscuit with a water absorption rate of 0.5% or less. Ceramic uses red or white clay fired at lower temperatures, typically 1,000–1,150°C, and absorbs noticeably more water — often somewhere between 3% and 6%, and higher still for some wall tiles.
That single figure explains most of the practical differences. The less water a tile absorbs, the more stain-resistant, frost-proof and dimensionally stable it tends to be. It also explains why porcelain is harder to cut: there is simply less soft, porous material to score and snap.
Porcelain is the sensible default for the harder-working floors in a house. Its density means stains sit on the surface rather than soaking in, and it copes with the grit, pet claws and dropped pans that a busy kitchen or hallway throws at it.
Do look at slip resistance for wet areas. For bathroom floors and anything outdoors, aim for a textured or matt finish rather than a polished one, and ask for the manufacturer's slip rating before you commit.
Ceramic has a slightly old-fashioned reputation it does not deserve. For walls, low-traffic floors and period-style patterned tiles, it is often the better choice — and it is far more forgiving to work with.
What ceramic will not do is stand up to frost, or to a wet room floor where water sits for long periods. Keep it indoors and it will serve you well for decades.
Porcelain has caught up dramatically on style. You can now buy convincing wood-effect planks, honed limestone looks, terrazzo patterns and matt concrete greys, all with the durability of a vitrified body. Polished porcelain once needed sealing, but most modern production is micro-sealed at the factory and needs nothing more than a damp mop and a pH-neutral cleaner.
Ceramic still leads on hand-finished character: crackle glazes, hand-painted metro tiles, encaustic-style patterns and small hexagons. These suit Victorian terraces, cottage kitchens and downstairs cloakrooms beautifully, and the smaller formats mean more grout lines — which is exactly what gives period floors their charm.
Whichever you choose, the fixing matters as much as the tile. Porcelain's low porosity means it does not pull moisture from adhesive in the same way ceramic does, so use a cement-based flexible adhesive — ideally one rated S1 for deformation — and back-butter large formats. Aim for full bed coverage: at least 80% in dry internal areas and effectively 100% in wet rooms and outdoors. Lift a tile after setting to check.
Allow for movement. Fit a perimeter joint around the whole floor and intermediate joints every 6–8 metres indoors, and every 4–5 metres outside. For grout, 3mm suits rectified porcelain nicely, while non-rectified tiles need 4–5mm to absorb size variation. In kitchens and wet rooms, a good epoxy grout is worth the extra cost because it resists staining and does not need sealing.
If you are still torn, buy one tile of each, take them home and live with them for a week. Light in a UK living room changes enormously between a grey January morning and a July evening, and the tile that looks right in the shop is not always the one that looks right on your floor.
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John Doe - 29 july 2018
The Tile Collection Simple, genuine and looked after with care — the kind of place worth returning to.
John Doe - 29 july 2018
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